A number of weeks back I wrote about the improv tool set AEIOU. I return to the topic now. After students have learned the basic pieces of AEIOU it is helpful to drill each of these tools individually and then … Continue reading
This post is amazing. All you struggling improvisers out there take note! This is how you do it.
This is a small interlude from my current writing about AEIOU. I’ll get back to that… but this was important. I have a problem and I suspect most improvisers have the same problem as me. I want to be liked … Continue reading
In any play, movie, story, or improv scene there are two kinds of dialog. One type of dialog forwards the story, the other is atmospheric or basically filler. Dialog that forwards the story is rich with information. The information doesn’t … Continue reading
Improv can be beautiful and elegant, but it can also be really damn loud. Improvisers are a wordy bunch. Go to almost any show in any city and you can pretty much “watch” whatever improv show with your eyes closed … Continue reading
For many years, I taught CROW (Character, Relationship, Objective, Where) to beginning improvisers. This was something that I was originally taught and it seemed good. Unfortunately, teaching CROW — while it sounds like a great way to get scenes off … Continue reading